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Modern Art by Claude Monet Women in the Garden by Claude Monet

(50–R): Artists Amy Sherald, Yayoi Kusama and Georgia O'Keefe. Photograph Courtesy: Amy Davis/Baltimore Sun/Tribune News Service/Getty Images; Toshifumi Kitamura/AFP/Getty Images; Tony Vaccaro/Getty Images

If you've ever taken an fine art history course or spent time in a fine arts museum, chances are you lot know a lot about the men who "divers" their mediums. Equally with other subjects, most of what nosotros learn about art history today still centers on white men from Europe and, later, the U.s.. In reality, there are so many more than artists of all genders to learn from and appreciate.

Hither, we're specifically taking a expect at just some of the women who take had lasting impacts on their art forms. From some of the fine art world's most iconic pioneers to its most unsung heroes, these women artists all had a paw — and, in some cases, withal take a manus — in irresolute the globe of fine art and how we define it.

Laura Wheeler Waring

Laura Wheeler Waring's portraits Anna Washington Derry and Alice Dunbar Nelson. Photos Courtesy: National Portrait Gallery/Wikimedia Commons

Laura Wheeler Waring was an artist and educator who taught at Cheyney University in Pennsylvania for more than 30 years. After studying the work of painters like Cézanne and Monet while abroad, she returned to the United States, condign best known for her portraits of prominent Black Americans, many of which were painted during the Harlem Renaissance.

Cindy Sherman

Two photographs from Cindy Sherman's Untitled Moving-picture show Stills (1977–80). series. Photos Courtesy: Museum of Modern Art (MoMA)

Photographer Cindy Sherman was part of the Pictures Generation during the 1980s, and is peradventure well-nigh well known for her series of Untitled Film Stills (1977–eighty) — cocky-portraits in which Sherman "posed in the guises of various generic female film characters, among them, ingénue, working girl, vamp, and lonely housewife" (via MoMA). In this series, and those that followed, Sherman used photography to question the media'south influence over our private and collective identities.

Yoko Ono

A still from the performance Cut Piece, 1964, and a pic of the installation Half-A-Room, 1967, as seen at the Museum of Modern Art in New York Urban center in 2015. Photos Courtesy: Museum of Modernistic Art (MoMA)

You might first think of Yoko Ono equally a musician and activist, only she's also an accomplished performance and conceptual artist. Ono was considered a pioneer in the performance art movement, earning the nickname the "Loftier Priestess of the Happening".

One of her nearly revered works, Cut Slice, was a performance she offset staged in Japan; Ono sat on stage in a dainty suit and placed pair of scissors in front of her, and, in an act of daring vulnerability, invited audience members to come on stage and cut away pieces of her wear. "Art is similar animate for me," Ono has said. "If I don't do it, I start to choke."

Betye Saar

Betye Saar'due south Black Girl'southward Window, 1969 (full and detail). Photos Courtesy: Museum of Modern Art (MoMA)

Before becoming a printmaker and activist, Betye Saar studied design and was employed every bit a social worker. A printmaking elective inverse her unabridged career trajectory — and, in plough, office of the trajectory of art history.

Saar was part of the Black Arts Movement in the 1970s and, through painting and assemblage, critiqued institutionalized racism and the racist stereotypes white people held toward Black Americans. "To me the trick is to seduce the viewer," Saar has said. "If yous tin get the viewer to look at a work of art, then yous might exist able to give them some sort of message."

Frida Kahlo

People look at Frida Kahlo'due south 1939 painting Las Dos Fridas at the Globe Forum of Culture in 2007, which was held in United mexican states. Photo Courtesy: Alejandro Acosta/AFP/Getty Images

It'south rare to find someone who hasn't at least heard of Frida Kahlo. A self-taught painter from Mexico, she is best known for exploring themes like decease and identity through her self-portraits. Kahlo frequently used assuming, bright colors to create her symbol-rich works, and was regarded as 1 of the almost influential artists of the Surrealist motion.

Yayoi Kusama

A viewer photographs inside the Aftermath of Obliteration of Eternity room during a preview of the Yayoi Kusama's Infinity Mirrors exhibit at the Hirshhorn Museum Feb 21, 2017 in Washington, D.C. Photograph Courtesy: Brendan Smialowski/AFP/Getty Images

Yayoi Kusama started painting at a very young age, only she's also known for her hyper-real sculptures, polka dots, installations, and and so much more. Similar many of her peers, Kusama embraced the counterculture of the 1960s, employing nudity in much of her work. Today, she continues to create works for her enduring Mirror/Infinity rooms serial, which use mirrors and lit objects to create a sense of endlessness.

Amy Sherald

Former Commencement Lady Michelle Obama (L) and creative person Amy Sherald (R) unveil Mrs. Obama's portrait at the Smithsonian's National Portrait Gallery in Washington, D.C. on February 12, 2018. Photo by Saul Loeb/AFP/Getty Images

Amy Sherald is an American painter and portraitist who depicts Black Americans, often doing everyday activities — something that became more than common in portraiture writ large in the mid-19th century. Odds are that you recognize Sherald'southward work — and her signature grayscale peel tones — every bit she was the first Black woman to complete a presidential portrait for the Smithsonian's National Portrait Gallery.

Georgia O'Keeffe

In 1960, Georgia O'Keeffe poses outdoors beside a work from her series, Pelvis Series Red With Xanthous in Albuquerque, New United mexican states. Photograph Courtesy: Tony Vaccaro/Getty Images

Known as the female parent of American modernism, you likely associate Georgia O'Keeffe with her paintings of New Mexico'south landscapes, flowers, skulls, and, just perhaps, the skyscrapers of New York City. In the 1920s, she was the first woman painter to gain the respect of the New York art globe, all by painting in her unique style.

Adrian Piper

Adrian Piper wins the Aureate Lion for all-time creative person in Okwui Enwezor'due south biennial exhibition All the Earth'south Futures, part of the 56th Venice Biennale in 2015. Photograph Courtesy: Awakening/Getty Images

Adrian Piper became a pioneering minimalist, feminist, and conceptual artist in 1970s New York City. She used her work to question guild, identity, and racial politics by enervating the audience to face truths about themselves. She often challenged people on the streets of New York to guess her race, socio-economic course, and gender — all while dressed as a Black man with a fake mustache and sunglasses, or while wearing compelling statements on her clothes.

Shirin Neshat

Shirin Neshat'due south poses in front of a photo in her exhibition Our House Is on Burn down at the Robert Rauschenberg Foundation in New York City in 2014. Photo Courtesy: Cem Ozdel/Anadolu Agency/Getty Images

Shirin Neshat left Islamic republic of iran in 1974 to written report art in Los Angeles, California — before the Iran Islamic Revolution took place. She is all-time known for her photography, film, and video work, much of which explores the human relationship between Islam'due south cultural and religious systems and women. Moreover, Neshat's works oftentimes create a sense of solidarity and empowerment.

Jenny Holzer

Jenny Holzer standing in front of her installation at the Guggenheim Museum. Photo Courtesy: Marianne Barcellona/Getty Images

As a neo-conceptual artist, Jenny Holzer's work focuses on words and ideas, which she puts on advertising billboards, projects onto buildings and adds to electronic displays or neon signs.

These works brandish phrases that human action as meditations on various concepts, such equally trauma, knowledge, and hope. I of her more notable works, I Smell You On My Peel, makes the viewer question what kind of sentiment the sentence conveys.

Rebecca Belmore

Rebecca Belmore'southward Fringe, 2008. Photo Courtesy: Fine art Gallery of Ontario (Ago)

Much of Rebecca Belmore'due south art addresses identity and history — and, in item, houselessness and the voicelessness of the First Nations People in Canada. Equally an Anishinaabekwe artist, she works to enhance awareness effectually the prejudice, violence, and attempted erasure of Ethnic Due north American civilisation. In 2005, she was the first Indigenous adult female to correspond Canada at the Venice Biennale.

Louise Bourgeois

A person looks at Louise Conservative' Spider. Photo Courtesy: Timothy A. Clary/AFP/Getty Images

While a prolific printmaker and painter, Louise Bourgeois is better known for her installation art and sculptures — similar the spider above — which were inspired by her own experiences and memories. Throughout her career, she created revolutionary works during a time when abstraction and conceptual art were the chief styles shaping the art world.

Mickalene Thomas

Mickalene Thomas' A Fiddling Taste Outside of Love, 2007. Photo Courtesy: Brooklyn Museum

Heavily influenced by popular culture and pop art, Mickalene Thomas oftentimes embellishes her paintings with rhinestones and uses colorful acrylic paints. In her piece of work, Thomas centers Black American women, whom she believes embody power and femininity.

Judy Chicago

Judy Chicago's seminal work The Dinner Party. Photo Courtesy: Brooklyn Museum

Judy Chicago was i of the major figures within the early Feminist Fine art movement. As exemplified in her iconic work The Dinner Party, her installation pieces ofttimes examine the role of women in history and civilisation — in the 1970s and before. While at California State University in Fresno, Chicago founded the beginning feminist art program in the United States.

Augusta Savage

Augusta Savage with one of her sculptures in the mid-1930s. Photo Courtesy: Andrew Herman/Archives of American Art/Wikimedia Commons

Augusta Savage was an American sculptor during the Harlem Renaissance who worked toward securing equal rights for Black Americans in the arts. In addition to creating breathtaking sculptures, often of Black folks, Savage founded the Savage Studio of Arts and crafts in Harlem in 1932, and, a few years later, she became the first Black American elected to the National Association of Women Painters and Sculptors in 1934.

Carolee Schneemann

Photo Courtesy: Museum of Modern Fine art (MoMA)

Known for her provocative operation art practices, Carolee Schneemann is considered the progenitor of "body fine art". (Just wait up her most famous work, Interior Scroll, and you'll see what we mean.) She used her torso to examine women's sensuality and liberation from the oppressive aesthetic and social conventions established by our patriarchal society.

Nan Goldin

Nan Goldin's Christmas on the Other Side, Boston, 1972. Photo Courtesy: Wikimedia Eatables

Famous for her in-the-moment photography, Nan Goldin's piece of work challenges traditional power relations. In addition to documenting New York City's queer subculture mail service-Stonewall, Goldin explored the HIV/AIDS crisis, opioid epidemic, and LGBTQ+ bodies.

Elaine Sturtevant

Warhol's Marilyn Monroe (1967) by Elaine Sturtevant. Photo Courtesy: Ben Stanstall/AFP/Getty Images

Does this look like an Andy Warhol to you? Well, that'south the thought! Elaine Sturtevant, who went by her final name professionally, was a conceptual artist known for her inexact replicas — that is, not-quite-correct copies of big-name artists' work.

Some artists and critics encouraged her efforts, while others became quite angry. Nonetheless, Sturtevant used her works to explore the concepts of authorship, originality, and the structure of fine art civilisation.

Ruth Asawa

Diverse hanging sculptures by Ruth Asawa at the De Young Museum in San Francisco. Photo Courtesy: View Pictures/Universal Images Group/Getty Images

During the 1960s, Ruth Asawa created increasingly circuitous wire sculptures. A San Francisco-based artist, Asawa'southward concluding public commission was the Garden of Remembrance at San Francisco Country Academy, which was created to recognize Japanese Americans who were interned during Globe War Two.

Catherine Opie

Catherine Opie attends the 2007 Guggenheim International Gala on November 8, 2007 in New York City. Photograph Courtesy: Shawn Ehlers/WireImage/Getty Images

Known for her studio, portrait, and landscape photography, Catherine Opie has been a photographer since the age of ix. She uses her photography to examine social norms, and, in doing so, displays various subcultures in formal portraits — simply in a way that conveys ability and respect by evoking traditional Renaissance portraiture.

micha cárdenas

Withal from Sin Sol (No Lord's day) VR game. Photo Courtesy: micha cárdenas/YouTube

micha cárdenas is an creative person, author, theorist, and banana professor who won an Impact Award at the Indiecade Festival in 2020 and the Creative Award from the Gender Justice League in 2016. She believes instruction is the path to liberation and uses VR and fine art to address global problems such every bit racism, gendered violence, and climate modify.

Lee Krasner

Lee Krasner: Living Color exhibition at Barbican Art Gallery on May 29, 2019 in London, England. Photo Courtesy: Tristan Fewings/Getty Images for Barbican Art Gallery

Lee Krasner was an Abstract Expressionist painter who too specialized in collaging. Her works capture a spirit of relentless reinvention, from her Cubist drawings and aggregation to her portraits and murals for the Works Progress Assistants (WPA).

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