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English actress and film director

Samantha Morton
Samantha Morton Edinburgh International Film Festival.png

Morton at the 2008 Edinburgh International Film Festival
Born

Samantha Jane Morton


(1977-05-thirteen) 13 May 1977 (age 44)

Nottingham, Nottinghamshire, England
Occupation Actress, director
Years active 1991–nowadays
Children 3, including Esme Creed-Miles

Samantha Jane Morton (born 13 May 1977) is an English actress and manager. She is known for her work in independent productions and has received numerous accolades, including a British Academy Television set Laurels, a British Independent Film Award and a Gilt World Honor, equally well equally nominations for two Academy Awards, a Primetime Emmy Award, and a British University Film Honour.

Morton was a member of the Central Junior Goggle box Workshop in her native Nottingham, and later began her career in British idiot box in 1991. She guest-starred in Soldier Soldier and Cracker and had a bigger role in the ITV series Band of Gold. She fabricated the transition to film with lead roles in the dramas Emma (1996), Jane Eyre (1997), and the well-received Nether the Skin (1997). Morton also starred alongside Max Beesley in BBC's mini series production of The History of Tom Jones: a Foundling in 1997 to critical acclaim. The adjacent twelvemonth, Woody Allen cast Morton in Sweet and Lowdown (1999), which earned her nominations for the Academy Honor and the Golden Globe Award for Best Supporting Actress.

Established every bit a prominent strength on the independent motion picture scene by the early 2000s,[i] [2] [3] Morton starred in Morvern Callar (2002), which garnered her the BIFA Award for Best Actress, and she received her second Academy Laurels nomination for her operation in In America (2003), this time for Best Extra. Her function in the commercially successful sci-fi thriller Minority Report (2002) was followed by biographical portrayals of Myra Hindley in Longford (2006), Deborah Curtis in Control (2007), and Mary, Queen of Scots in Elizabeth: The Golden Age (2007). For her role in Longford, she won the Golden Globe Award for Best Supporting Actress – Series, Miniseries or Television Film.

Morton fabricated her directorial debut with the boob tube motion-picture show The Unloved (2009), which won the BAFTA Idiot box Accolade for All-time Unmarried Drama. She had also starred in films such equally The Messenger (2009), John Carter (2012), Decoding Annie Parker (2013), and Fantastic Beasts and Where to Detect Them (2016). By the late 2010s, she oft ventured back into television, starring in the series The Last Panthers (2015), Rillington Place (2016), Harlots (2017–2019), and The Walking Expressionless (2019–2020).

Early life [edit]

Samantha Jane Morton was born in the Clifton expanse of Nottingham[4] [5] on 13 May 1977,[4] [6] the third kid of Pamela (née Mallek), a manufacturing plant worker, and Peter Morton.[7] She is of Polish/Irish descent.[eight] She has vi half-siblings from her parents' relationships subsequent to their 1979 divorce. She lived with her begetter until she was eight, when she was made a ward of court because neither of her parents could care for her and her siblings.[9] Her father was an abusive alcoholic, and her mother was involved in a violent human relationship with her second hubby; as a result, she never lived with her parents again.[x]

The side by side 9 years were spent in and out of foster care and children'southward homes. During that time, she attended Westward Bridgford Comprehensive Schoolhouse and joined the Central Junior Television Workshop when she was 13, soon beingness offered small-screen roles in Soldier Soldier and Benefaction.[vi] Nether the effects of drugs, she threatened an older girl who had been bullying her. She was convicted of making threats to kill and served eighteen weeks in an attendance middle.[11]

Career [edit]

Beginnings (1991–1998) [edit]

After joining Fundamental Junior Television Workshop at the age of 13, she was before long being offered small-screen roles such as Clare Anderson in the beginning series of Lucy Gannon's Soldier Soldier and also Mandy, in an episode of Boon —both were ITV Cardinal productions.[12] Moving to London at sixteen, Morton applied to numerous drama schools, including RADA, without success.[half-dozen] In 1991, she attended Clarendon Higher of Performing Arts to proceeds a BTEC laurels but subsequently left for personal reasons.[xiii] She made her stage début at the Imperial Court Theatre,[6] and continued her television career with appearances in Top Practice and in an episode of Cracker. At the time, she had a regular part in the first 2 series of Kay Mellor's successful Band of Aureate (1995–96).

Farther television receiver roles followed, including parts in period dramas such as Emma and Jane Eyre. Emma was a motion picture adaptation of the novel of the same proper name published in 1815 about youthful hubris and the perils of misconstrued romance. The movie received largely positive reviews from critics and was broadcast in late 1996 on ITV, garnering an estimated 12 one thousand thousand viewers.[14] In Jane Eyre, Morton starred as a Yorkshire orphan who becomes a governess to a young French girl and finds dearest with the brooding lord of the manor. Like her previous small-scale-screen projects, the 1997 film originally aired on ITV.[15]

She took on the leading function in the independent drama Nether the Skin (1997), directed by Carine Adler, where she played Iris, a adult female coping with the death of her mother. The motion picture garnered favorable reviews from writers, with The Guardian placing it at number 15 on its list of the Best British Films 1984–2009.[16] [17] Janet Maslin for the New York Times remarked that Morton "embodies the role with furious intensity and with a raw yet waifish presence" and James Berardinelli wrote that the actress "forces usa to accept Iris as a living, breathing individual".[18] [19] She won the Best Actress laurels at the 1998 Boston Society of Film Critics Awards and was nominated for the BIFA Award for Best Female Operation in a British Independent Film.

Critical recognition (1999–2005) [edit]

Impressed by her functioning in Under the Skin, Woody Allen cast her in Sweetness and Lowdown, a romantic comedy most a fictional jazz guitarist in the 1930s (played by Sean Penn) who regards himself every bit the 2nd greatest guitarist in the world. Morton played Hattie, a mute laundress and the love involvement of Penn's character. The flick was released in September 1999, to wide disquisitional acclaim and moderate success at the box office in the arthouse excursion.[20] [21] George Perry for BBC.com plant her to be "extraordinary" as an "adoring mute who suffers [...] She uses her optics to convey pregnant, reviving techniques of silent cinema".[22] [23] Morton earned Academy Award and Golden Globe nominations for Best Supporting Actress for her role, which was especially notable, considering the fact that she does non utter a unmarried word of dialogue in the picture show. During a 2007 interview with UK's The Guardian, she remarked that her Oscar nomination meant "incredible things for me in the [United states of america]. I'm grateful for that. It ways that [...] I'one thousand able to support the manufacture".[24]

Morton would next star in the modest scale drama Jesus' Son, which found a limited release,[25] and praise from critics.[26] She received a Satellite Award nomination for Best Supporting Actress – Movement Flick for her performance. Her other flick in 1999 was the romantic drama Dreaming of Joseph Lees, an accommodation of a story written by Catherine Linstrum gear up in rural England in the tardily 1950s; for her part, she won the Evening Standard British Flick Award for Best Actress. She appeared in the biographical drama Pandaemonium (2000), directed by Julien Temple,[27] playing Sara Coleridge, the wife of the poet Samuel Taylor Coleridge.[28] She was nominated for a British Independent Film Award in the category of All-time Actress.[29] Morton besides played a mermaid opposite Larry Mullen in the Anton Corbijn-directed promotional video for U2's "Electrical Storm",[30] and provided the voice of Scarlet for the Canadian blithe series Max & Ruby from 2002 to 2003.

Morton found wider recognition and mainstream success when she took on the part of a senior precog in Steven Spielberg science fiction thriller Minority Report, reverse Tom Cruise. Although critics felt she was "slightly typecast" in her role of "feral, well-nigh-mute victim",[31] [32] Minority Report grossed US$358 one thousand thousand.[33] [34] She won the Saturn Award for Best Supporting Extra and the Empire Honour for Best British Actress.[35] [36] In her next film, the drama Morvern Callar, she played a grieving immature woman from Scotland who decides to escape to Spain subsequently the suicide of her beau.[37] [38] Writing for Rolling Stone, Peter Travers stated that Morton "fills this character study with poetic force and buoyant feeling",[39] as part of a positive critical response, and she earned the Best Extra Honor at the 5th British Contained Picture Awards and the 7th Toronto Motion-picture show Critics Association Awards.[40]

In the contained drama In America (2003), directed by Jim Sheridan, Morton played the matriarch of an immigrant Irish gaelic family unit struggling to start a new life in New York. In America met widespread critical acclaim, with Terry Lawson of Detroit Free Printing calling the film "an achingly intimate and beautifully observed business relationship of the immigrant feel".[41] Roger Ebert felt that Morton "reveals the ability of her silences, her tranquillity [and] her presence",[42] while A.O. Scott, of The New York Times, found the "edgeless, inarticulate force of her feeling [...] at the centre of the drama".[43] Her performance earned her nominations for the Academy Award, the Independent Spirit Award, and the Broadcast Film Critics Association Award in the category of All-time Extra.[44] [45] [46]

In 2004, Morton starred every bit a love involvement in the dystopian motion picture Code 46, directed by Michael Winterbottom and alongside Tim Robbins,[47] [48] and played the wife of a man who witnessed a mortiferous accident in the drama Enduring Love, opposite Rhys Ifans and Daniel Craig.[49] Critics were polarized for the latter moving-picture show and suggested that Morton did not have enough time on screen.[fifty] [51] Even so, she earned a nomination for the Best Supporting Award at the 2004 British Independent Flick Awards. In River Queen (2005), she took on the role of a young Irish adult female finding herself on both sides of the wars between British and Maori during the British colonisation of New Zealand.[52] The motion picture was a box part success at the New Zealand box office, grossing effectually NZ$1 meg in the country.[53] [54] [55] For her role, she received a nomination for the New Zealand Screen Honour for Best Leading Actress.[56] She starred alongside Johnny Depp in the little-seen menstruation drama The Libertine,[57] [58] and appeared in the drama Lassie, both of which were as well released in 2005.

Biopics and directorial debut (2006–2009) [edit]

In 2006, she played the Moors murderess Myra Hindley in the television film Longford. Set between 1967 and 1997, the film depicts the human relationship between the child murderer and Lord Longford, the politician who spent years campaigning (ultimately unsuccessfully) for her release. Longford was a critical success and premiered with 1.7 million viewers.[59] Morton, withal, was severely criticised by the relatives of the children who were killed by Hindley and Ian Brady, only she insisted, "It is my duty every bit a performer to raise problems [...] nosotros're afraid to look at".[60] She received a Best Supporting Actress nomination at the 59th Primetime Emmy Awards, and won at the 65th Golden Globe Awards.[61] [62]

Morton took on roles in iv feature films in 2007. She starred every bit a struggling police officer in the romantic drama Expired, and portrayed a Marilyn Monroe impersonator in the dramedy Mister Lonely.[63] Morton worked over again with director Anton Corbijn in the biographical movie Control, where she appeared as Deborah Curtis, wife of musician Ian Curtis from the band Joy Segmentation, whose biography Touching from a Distance formed the basis of the flick. The film was acclaimed by critics.[64] [65] Roger Ebert remarked that Morton was "absolutely convincing every bit a plucky teenage bride",[66] and Diverseness magazine establish her performance to be "astonishing" and "sympathetic".[67] For Control, she was nominated for the BAFTA Laurels for Best Actress in a Supporting Role.[68] [69] [70] Her last pic of 2007 was some other biopic, Elizabeth: The Golden Age, in which she played Mary, Queen of Scots.

She made role of an ensemble cast in Charlie Kaufman's postmodern[71] drama Synecdoche, New York (2008), alongside Philip Seymour Hoffman, Michelle Williams and Emily Watson. In the motion-picture show, she portrayed Hazel, one of the women in the life of a theatre director (Hoffman) whose extreme delivery to a realistic stage product begins to blur the boundaries between fiction and reality. Every bit her character ages from xxx to 64 over the grade of the story, Morton used total-face prosthetic makeup. She discovered that she was pregnant during the filming, which had a schedule that took up to twenty hours a mean solar day.[72] The picture show was a box function flop,[73] but garnered praise from critics, actualization on many top ten lists of the year.[74] Morton and her co-stars were eventually nominated for the Best Ensemble Performance honour at the 18th Gotham Independent Film Awards.[75] Also in 2008, she starred in The Daisy Chain, an Irish gaelic horror picture show about a couple who after the death of their girl, take in an orphaned girl, simply to become involved in a series of strange occurrences.[76] It premiered at the 16th Raindance Movie Festival (London; Oct 2008),[77] [78] and received a DVD release in 2010.[79]

In the directorial debut of Jesus' Son screenwriter Oren Moverman, the state of war drama The Messenger (2009), Morton starred every bit Oliva Patterson, a widow whose married man was killed in Iraq.[80] She was drawn to the "feminine" side of the story[81] and plant her office to be "one of the first characters [she has] played in a long fourth dimension where [she has] felt so much in common", as her brother and stepfather both served as soldiers in the military forces.[82] Critical reception towards The Messenger and Morton was unanimously favorable,[83] [84] [85] with Claudia Puig of United states of america Today asserting that, Morton "equally always, gives a subtle, excellent functioning".[86] She was nominated for Best Supporting Actress at the 14th Broadcast Film Critics Clan Awards and the 25th Contained Spirit Awards.

Morton's other projection of 2009 was her directorial debut, the semi-autobiographical Channel 4 drama The Unloved, which follows an eleven-year-one-time girl (played by Molly Windsor) growing up in a children'south habitation in the Uk's intendance arrangement, and shown through her perspective. Morton wrote the story in collaboration with Tony Grisoni, and The Unloved was first circulate on 17 May 2009, drawing nearly two million viewers.[87] [88] Information technology premiered at the Toronto International Film Festival in September 2009. Michael Deacon, for the Daily Telegraph, praised Morton on creating an "intense" and "vivid" dramatic moving picture.[89] Morton won a BAFTA for her direction in 2010.[ninety] [91]

Hiatus and return to film (2010–2014) [edit]

Post-obit a 3-year hiatus from the screen to focus on her personal life and family unit, Morton returned in 2012. She provided the vox of Sola in the scientific discipline fiction flick John Carter, based on A Princess of Mars, which received mixed reviews and flopped at the box office.[92] [93] She side by side played a main of theory in the thriller Cosmopolis, directed by David Cronenberg.[94] [95] [96] Her function, described as "misjudged" by The Guardian,[97] earned her a nomination as All-time Actress in a Canadian Film Award at the Vancouver Film Critics Circle.[98] She also served as a jury member at the 69th Venice International Film Festival in 2012.[99]

Morton was the original voice of the artificially intelligent operating system in the 2013 romantic science fiction drama Her directed past Spike Jonze, merely in mail-production, she was replaced by Scarlett Johansson.[100] She is, however, credited every bit an associate producer.[101] Morton starred in the independent drama Decoding Annie Parker (2013) opposite Helen Chase, playing a woman with breast cancer. The film was released in limited theaters,[102] [103] to mixed reviews from critics.[104] Nevertheless, Betsey Sharkey of Los Angeles Times observed that the extra "gives Parker such a humility within a warm humanity that you experience an obligation to stick with her through the mounting horrors".[105] She was awarded the Best Extra Golden Space Needle Honor at the 2013 Seattle International Film Festival.[106]

Morton starred opposite Michael Shannon in the independent thriller The Harvest (also 2013), as a decision-making mother keeping her sick son in a secluded environment.[107] [108] [109] [110] Several critics such every bit Peter Debruge (Variety) and Nikola Grozdanovic (Indiewire) compared her role of Katherine to Kathy Bates' Annie Wilkes in Misery (1990).[111] [112] Her performance earned her a All-time Actress Honour nomination at the 2014 BloodGuts Britain Horror Awards.[113]

In Liv Ullmann's picture accommodation Miss Julie (2014), aslope Colin Farrell and Jessica Chastain, Morton portrayed Kathleen, the fiancée of a valet (Farrell) who finds himself seduced by the daughter of an Anglo-Irish gaelic aristocracy (Chastain). The film screened at the Toronto International Film Festival and had a limited release in the U.k., France and Spain.[114] [115] Miss Julie rated average with reviewers,[116] simply the bandage received acclaim.[117] Writing for The Hollywood Reporter, David Rooney thought Morton's Kathleen was "the most satisfyingly fatigued character" of the motion-picture show, which he considered a "ponderous, stately matter".[118]

Roles in telly (2015–nowadays) [edit]

In 2015, Morton starred as a mother in the Outset World War context in Cider with Rosie, a made-for-tv accommodation of the book of the same name by Laurie Lee, and took on the role of an insurance investigator charged with recovering stolen diamonds in the European limited telly series The Last Panthers, inspired past the notorious Balkan jewel thieves the Pink Panthers. Morton found her grapheme to exist a "very truthful, [...] strong woman" and described her as a "female Bond".[119] Genevieve Valentine, for The AV Gild, wrote: "Morton might at first seem a tough sell as someone so hard-boiled, simply the taciturn, untouchable edifice she presents is leaking but enough poison at the edges that we look forward to watching her strike—the sort of character a six-60 minutes miniseries was made for".[120]

Morton appeared in Fantastic Beasts and Where to Find Them (2016), a spin-off from the Harry Potter film series, with a screenplay by J. 1000. Rowling.[121] [122] In the film, she portrayed Mary Lou Barebone,[123] the leader of an extremist grouping whose goals include exposing and killing wizards and witches. Fantastic Beasts grossed United states$814 meg at the international box office,[124] condign Morton'southward most successful and widely seen flick.[125]

She filmed the three-role television crime drama Rillington Place (too 2016), based on the instance of serial killer John Christie, who murdered several women in London during 1940s and early 1950s.[126] [127] Morton was cast opposite Tim Roth every bit Christie's wife, Ethel. Intrigued by their human relationship, Morton felt the depiction of the "psychological aspect of love" in the story "really developed [her] acting chops" but considered every bit a challenge "to play someone and then submissive" as Ethel.[128] The miniseries premiered in BBC One and was favourably received by critics.[129] The Guardian found Morton to be "strong" in her "difficult function",[130] and The Contained remarked that she "gave a fine, nuanced performance" equally "a adult female trapped nether her husband'southward spell".[131]

Beginning in 2017, Morton has starred in the Hulu menstruation drama series Harlots. She portrays Margaret Wells, the madam of a depression-class brothel who seeks to meliorate her fortunes. The response from critics and audiences has been highly positive.[132] The Telegraph found her to be the "standout performer",[133] and The Atlantic noted: "While the role doesn't requite Morton the aforementioned room to flex her acting muscles as, say, Woody Allen's Sweet and Lowdown, she gives depth and moral conflict to a grapheme who could easily exist a pantomime dame in the wrong hands".[134]

In July 2018, information technology was announced that Morton had been cast in the office of Alpha in The Walking Dead, making her get-go appearance in February 2019. Alpha is the villainous leader of the Whisperers, a mysterious group of survivors of a zombie apocalypse who—as a method of self-darkening—wear skins taken from the undead.[135]

Personal life [edit]

Morton dated thespian Charlie Creed-Miles, whom she met on the set of the movie The Last Yellow, in 1999. They broke up when Morton was xv weeks pregnant[136] with their daughter, actress Esme Creed-Miles, born five February 2000.[137]

Morton met filmmaker Harry Holm (son of thespian Ian Holm) while filming a music video for the band the Vitamins.[6] Their girl, Edie, was built-in on 4 January 2008,[6] and their son, Theodore, was born in 2012. They live in Monyash, Derbyshire.[119] [138]

In early 2008, Morton revealed that she had been "close to expiry" later on suffering a debilitating stroke due to beingness striking past a piece of 17th-century plaster that fell on her head (damaging her vertebral artery) in 2006. She was in infirmary for 3 weeks after the incident.[ix] She withdrew from the public spotlight and took an 18-calendar month pause from moving-picture show acting in guild to learn to walk again.[139]

In 2011, Morton wrote an open letter hoping her stepfather would get back in touch with her later being estranged for several years. All the same, it was revealed before long subsequently that her stepfather had died of prostate cancer iv years previously.[10]

On 20 July 2011, Morton received an honorary Doctor of Letters (DLitt) from Nottingham Trent University, "in recognition of her internationally successful acting career".[140] [141] [142]

Charity piece of work [edit]

Having been raised in the foster intendance organisation, Morton has oft been active in causes involving the affair. In March 2009, Morton returned to her hometown to bear witness her support for its children's homes and protestation against the threatened closure, by Nottingham City Council, of one of the four establishments with 24 social-care staff facing back-up.[143] In 2012, Morton showed her support for the Fostering Network's annual campaign Foster Care Fortnight,[144] and in September 2014, triggered by the Rotherham child sexual exploitation scandal,[145] she discussed in a video interview the sexual abuse she experienced while in the foster intendance system as a child in Nottingham and that the constabulary took no action when she reported the corruption. Morton had discussed the abuse previously while promoting the semi-autobiographical drama The Unloved, in an article for The Guardian.[146]

In 2008, she was part of the Vodafone Foundation's World of Difference campaign, which gives people the opportunity to work for a charity of their choice.[147] Whilst attention a fundraiser for the charity Medical Assistance for Palestinians (MAP) in January 2009, she vowed never to piece of work for the BBC over again after their refusal to broadcast an emergency charity appeal for the victims of Israel's attack on Gaza on 27 Dec 2008. She was subsequently joined by Tam Dean Burn, Pauline Goldsmith, Peter Mullan, and Alison Peebles, who also threatened to cold-shoulder the corporation.[148] In 2009, she also fronted a goggle box advertizement recruitment campaign for social workers in the United kingdom of great britain and northern ireland.[149]

Radio [edit]

Morton was the guest on the long-running BBC radio programme Desert Island Discs on four October 2020.[150]

Filmography [edit]

Motion-picture show [edit]

Twelvemonth Title Role Notes
1996 Futurity Lasts a Long Time May Short flick
1997 This Is the Sea Hazel Stokes
1997 Under the Skin Iris Kelly
1999 Sweet and Lowdown Hattie
1999 Jesus' Son Michelle
1999 Dreaming of Joseph Lees Eva
2000 Pandaemonium Sara Coleridge
2001 Eden Sam
2002 Minority Report Agatha
2002 Morvern Callar Morvern Callar
2003 In America Sarah
2003 Lawmaking 46 Maria Gonzáles
2004 Enduring Dearest Claire
2005 River Queen Sarah O'Brian
2005 The Libertine Elizabeth Barry
2005 Lassie Sarah Carraclough
2006 Free Jimmy Sonia (voice) English dub
2007 Expired Claire
2007 Control Deborah Curtis
2007 Elizabeth: The Gilt Historic period Mary, Queen of Scots
2007 Mister Alone Marilyn Monroe
2008 Synecdoche, New York Hazel
2008 The Daisy Concatenation Martha Conroy
2009 The Messenger Olivia Pitterson
2012 John Carter Sola Motion capture
2012 Cosmopolis Vija Kinsky
2013 Decoding Annie Parker Anne Parker
2013 Her — Associate producer
2013 The Harvest Katherine
2014 Miss Julie Kathleen
2015 Call Me Lucky Herself Documentary
2016 Fantastic Beasts and Where to Observe Them Mary Lou Barebone
2018 Two for Joy Aisha
2022 Save the Cinema Liz Evans
TBA The Whale Mary Post-production
TBA She Said Zelda Perkins Filming

Television [edit]

Year Title Role Notes
1991 Soldier Soldier Clare Anderson iv episodes
1994 Cracker Joanne Barnes 2 episodes
1994 Peak Practice Abbey 1 episode
1995–1996 Band of Gold Naomi "Tracy" Richardson 12 episodes
1996 Emma Harriet Smith Telly moving picture
1997 The History of Tom Jones, a Foundling Sophia Western Miniseries
1997 Jane Eyre Jane Eyre Television motion-picture show
2002–2003;
2011–2013 		Max & Ruby Ruby (voice) 26 episodes
2006 Longford Myra Hindley Television moving picture
2009 The Unloved — Director
Television moving picture
2015 Cider with Rosie Annie Lee Boob tube film
2015 The Last Panthers Naomi six episodes
2016 Rillington Place Ethel Christie 3 episodes
2017–2019 Harlots Margaret Wells 20 episodes
2019–2020 The Walking Dead Alpha 19 episodes
2019 I Am Kirsty Kirsty Tv flick
TBA The Ophidian Queen Catherine de' Medici
2022 Tales of the Walking Dead Alpha one episode

Awards and nominations [edit]

Twelvemonth Nominated piece of work Laurels Category Effect
1998 Under the Skin British Independent Flick Accolade Best Performance by a British Extra in an Independent Film Nominated
Angers European Start Flick Festival Award Best Actress Won
Boston Society of Film Critics Award Best Actress Won
Gijón International Movie Festival Awards Best Actress Won
1999 Sweet and Lowdown Academy Laurels Best Supporting Actress Nominated
Chicago Motion-picture show Critics Association Award Best Supporting Actress Nominated
Most Promising Extra Nominated
Empire Award Best British Actress Nominated
Golden World Accolade All-time Supporting Extra – Movement Moving-picture show Nominated
London Film Critics Circle Awards British Supporting Actress of the Yr Won
Los Angeles Moving-picture show Critics Association Laurels Best Supporting Actress Nominated
National Society of Motion picture Critics Awards All-time Supporting Extra Nominated
Satellite Honor Best Supporting Actress – Pic Nominated
Jesus' Son Satellite Honour Best Supporting Actress – Movement Picture Nominated
Dreaming of Joseph Lees Evening Standard British Film Honor Best Actress Won
Verona Honey Screens Film Festival Award Best Actress Won
2001 Pandaemonium British Independent Film Award Best Actress Nominated
2002 Morvern Callar British Independent Motion-picture show Award All-time Actress Won
European Film Honor Best Extra Nominated
London Pic Critics Circumvolve Awards British Actress of the Year Nominated
Toronto Film Critics Association Laurels Best Actress Won
2003 Minority Written report Empire Award Best British Actress Won
Online Film Critics Society Award Best Supporting Actress Won
Saturn Award All-time Supporting Actress Won
Phoenix Film Critics Society Award Best Supporting Extra Nominated
In America Academy Award Best Extra Nominated
British Independent Moving-picture show Award Best Actress Nominated
Broadcast Film Critics Clan Honour Best Actress Nominated
Contained Spirit Award Best Female person Lead Nominated
Satellite Award All-time Extra – Motion Picture Drama Nominated
Screen Actors Guild Award Outstanding Performance past a Cast in a Motion Motion-picture show Nominated
Code 46 European Film Honour Best Actress Nominated
2004 Enduring Honey British Independent Film Awards All-time Supporting Actor/Actress Nominated
Empire Award Best British Actress Nominated
2005 River Queen New Zealand Screen Award All-time Functioning by an Actress in a Leading Role Nominated
2007 Control BAFTA Film Accolade All-time Extra in a Supporting Role Nominated
British Independent Film Awards All-time Supporting Histrion/Actress Nominated
International Cinephile Guild Award Best Supporting Actress Won
Evening Standard British Pic Award Best Actress Nominated
London Moving-picture show Critics Circle Awards British Actress of the Year Nominated
Mister Alone Evening Standard British Film Accolade Best Extra Nominated
Longford Aureate Globe Laurels Best Supporting Extra – Series, Miniseries or Television Moving picture Won
British University Tv set Award Best Extra Nominated
Broadcasting Press Guild Accolade Best Actress Nominated
Golden Nymph Best Performance by an Actress in a Television Motion picture Nominated
Primetime Emmy Laurels Outstanding Supporting Actress in a Limited Series or Movie Nominated
Satellite Award All-time Actress – Miniseries or Television Film Won
2008 Synecdoche, New York Gotham Honour Best Ensemble Cast Won
Independent Spirit Honor Robert Altman Laurels Won
The Daisy Concatenation British Independent Film Award Best Actress Nominated
2009 The Messenger Circulate Film Critics Association Award Best Supporting Actress Nominated
Evening Standard British Motion picture Laurels Best Actress Nominated
Houston Motion picture Critics Society Award Best Supporting Actress Nominated
Independent Spirit Award All-time Supporting Female Nominated
National Guild of Motion-picture show Critics Awards All-time Supporting Actress Nominated
St. Louis Gateway Moving picture Critics Clan Honor Best Supporting Actress Nominated
San Diego Picture Critics Order Awards Best Supporting Actress Won
Village Vocalization Film Poll Award Best Supporting Actress Nominated
Washington D.C. Expanse Film Critics Association Award Best Supporting Extra Nominated
The Unloved British Academy Television Awards Best Single Drama Won
British Independent Film Awards Douglas Hickox Award Nominated
2012 Cosmopolis Vancouver Film Critics Circle Laurels Best Actress in a Canadian Moving picture Won
2013 Decoding Annie Parker Seattle International Film Festival Award All-time Actress Won
Milano International Film Festival Honor Best Actress Nominated
The Harvest BloodGuts UK Horror Laurels Best Actress Won
2020 I Am Kirsty British Academy Television set Awards Best Extra Nominated
2021 The Walking Dead Critics' Choice Super Awards Best Villain in a Serial Nominated

Morton was made Honorary Acquaintance of London Picture show Schoolhouse.

Come across as well [edit]

  • List of actors with Academy Honor nominations
  • Evening Standard British Film Awards

References [edit]

  1. ^ Addley, Easther (five Oct 2007). "'I think she is attracted to women who have difficulties. It'south very emotional when she takes a function to extremes ...'". The Guardian. Guardian News and Media. Retrieved 24 January 2016.
  2. ^ "Interview: Samantha Morton, actress". www.scotsman.com . Retrieved 24 Jan 2016.
  3. ^ "Samantha Morton – "I spoke in a really wide Notts accent when I met Woody Allen, you can take the girl out of Notts, simply yous can't take the Notts out of the girl"". Leftlion.
  4. ^ a b "Birth Registration Details". Ancestry.com. Archived from the original on two August 2012. Retrieved 13 September 2014.
  5. ^ "Sam Morton: The Clifton chameleon comes homes". Nottingham Mail . Retrieved 9 Oct 2020.
  6. ^ a b c d eastward f Addley, Esther (4 October 2007). "Contour: Samantha Morton – 'I think she is attracted to women who have difficulties. It's very emotional when she takes a role to extremes ...'". The Guardian . Retrieved 15 September 2014.
  7. ^ "Samantha Morton profile". Film Reference . Retrieved 13 September 2014.
  8. ^ Ellis-Petersen, Hannah (30 Oct 2015). "Samantha Morton backs Benedict Cumberbatch's refugees appeal". The Guardian – via www.theguardian.com.
  9. ^ a b O'Hagan, Sean (viii May 2010). "Samantha Morton: 'I could play a prostitute convincingly because my best friend was one'". The Guardian . Retrieved xv September 2014.
  10. ^ a b Ward, Victoria (5 March 2011). "Samantha Morton is told the stepfather she was searching for is dead". Daily Telegraph . Retrieved 11 Jan 2016.
  11. ^ Hattenstone, Simon (24 April 2009). "I was abused for a long time and I retaliated". The Guardian . Retrieved 15 September 2014.
  12. ^ "BFI Screenonline: Morton, Samantha (1977–) Biography". www.screenonline.org.uk . Retrieved 24 Jan 2016.
  13. ^ Wazir, Burhan (17 June 2000). "Young, gifted and gabby". The Guardian . Retrieved 15 September 2014.
  14. ^ Gibson, Owen (xi November 2005). "ITV calls in Jane Austen to halt slide in ratings". The Guardian . Retrieved nineteen November 2014.
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External links [edit]

  • Samantha Morton at IMDbEdit this at Wikidata
  • Samantha Morton at the BFI's Screenonline

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Source: https://en.wikipedia.org/wiki/Samantha_Morton